おねショタ | Eine unsterbliche Liebe - Bajirao & Mastani | Watch Movie
 

OBSTRUCTION

Here, idyll.

Surf in the distance, its soothing pianissimo thunder punctuated by the occasional foreground car.  Ultramarine sky.

But not one idea has done more than hover like a seagull over the shoreline. No stories, insights, flashes of inspiration. A brain made drowsy by a surfeit of summer. Or other things.

I’m a nighttime person, generally. Not that I sleep in. Middle-aged aches and a querulous bladder argue against bedly indulgence. So often the time after the boy and his mum head bedwards is when I imagine writing. Thinking fuzzied by the mealtime libation, ideas fogged by alcohol and the muddy lethargy that comes from watching summer sport on TV. An evening person, perhaps, but self-sabotage arises locally—a New Zealand Sauvignon Blanc or Australian Open tennis evening sessions.

Lack of discipline is the most common get-out clause for writers trapped in a low orbit. As I trek through Irvin Yalom’s recently released memoir—a hero, I hate him—and read about his ‘mornings writing and afternoons exploring’ (Bali, Seychelles, Paris, Lake Como, Holy Homer, what a life) I recognise that under my sneering envy of his privilege lies an uncomfortable truth. I’ve never been willing to claim the keyboard. Really make a commitment and shoulder whatever sacrifice is required. The recent Rearview Mirror series at Vinyl Connection is my first attempt at greater-than-weekly writing in almost five years. Pathetic.

The surge of envy is entirely equal to the slough of self-hatred.

Self-confidence is vital in any endeavour. Somehow the ‘I can’ voice must overcome the stabs of doubt and the whispers of ineffectuality else the child is stillborn. Dead before arrival. Often thoughts and ideas appear on my inner screen like distant fireworks—brief explosions of light and muted cracks, low on the horizon and soon extinguished. Reading how Yalom spends time before sleep pondering and playing with plot and story ideas for the next day’s writing gets me thinking (again) about the ephemeral nature of my own sparks. A proper writer can bottle that lightning and tap it the next day like plugging into a wall socket. It’s not just practice, though that would help (as would a simple way to capture fleeting images). I remember lying outside at midnight in rural Jamieson, many years ago, sharing the rug with a friend as we gazed up at the Milky Way. She always seemed to be looking in the right place to see the meteorite. My sightings were peripheral; by the time my eyes flicked to the silver pencil-trail it was gone.

Yearning to decorate the sky, yet so muddily earthbound.

Brainbound, more accurately.
How to interrogate this process, despite its crushing familiarity.

An idea comes.

A writing idea, ‘cos that’s my thing.

Then something shuts down. Like a clamp, like a blanket. Like the night of an impenetrably empty space. As Piglet put it so eloquently, ‘A great big… Nothing’.

Invoking Pooh’s timorous wee friend is no accident. For all my ability to channel Owl-like pomposity and nihilistic Eeyore pessimism, it is the ever-fearful Piglet who is my enduring talisman.

An aside. I’m recalling the story where Piglet gets a bath—much against his wishes—and is highly uncomfortable until he has escaped and rolled himself in sufficient dirt to recover his familiar grubby persona. That feels a bit like me and therapy, to be honest.

Back to the brain. The shutting down syndrome. It’s a cerebral trauma response, where overload leads to stasis. Nothing revelatory there; the process is one I’ve been working through myself and with clients for decades. (Three ironic cheers for The Wounded Healer!). But we are not veering off into a psychological paper for two reasons. Firstly, I’m not remotely well-read enough on emerging research in neuropsychology to offer anything helpful, and secondly, I don’t want to. Correction: I am not able to. Even this level of disclosure has a part of me quivering with terror.

What’s to be done? Is this brain plaque capable of being dissolved by therapy and (or?) other healing processes?

Or writing? Around twenty years ago I purchased a book called Journalling For Joy. Ten years ago I took it out of the paper carry-bag. Still haven’t opened it though.

It feels like a race against time. Enough healing to write—really write, according to the desire of my crumpled heart—before the natural and unavoidable ageing process dusts away vocabulary from the mind’s blackboard, leaving only vague smears of regret… that’s the goal, I guess. Avoid regret.

Unless, of course, there’s a future in writing about not writing?

 

 

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